Like its predecessor, Pacific Storm: Allies lets you take control of American, British, and Japanese forces in the Pacific Theater of World War II. This comes in the form of free and historical campaigns, tactical battles, and a battle planner that lets you create any sort of battle, though there are also quite a number of hypothetical battles as well. There’s an incredible scope here, because you can go from the cockpit of a carrier warplane to sitting in the commander-in-chief’s chair as you figure out the overarching strategy in the Pacific. But there’s the rub.

Where’s Michael Bay when you need him?

The game’s three-sided nature leads to something of an identity crisis, as it’s not quite sure who this game is for. The action portions of the game aren’t going to win over any serious simulation fans, as the flight models are pretty arcade-heavy. And action fans are likely be turned off by the complex strategic modes. On the other side of the fence, those looking for a serious strategy game probably won’t bother with the action sections. You get the feeling that the developers’ efforts would be better rewarded by focusing on one genre, rather than trying to cram three into a box.

While the action and tactical battles can provide an interesting diversion, the real heart of Pacific Storm: Allies has to be its incredibly deep strategy game, which gives you an almost incredible level of control over your nations’ military, research, and production strategies. This isn’t a game where you can churn out a new battleship or aircraft carrier in a few seconds; everything takes meticulous planning. Constructing a warship takes months, and then you’ve got to also make sure that you’re training enough seamen and stocking enough oil and supplies to operate them. Then it’s about creating naval squadrons and formations and sending them out into the Pacific. Your research efforts will unlock better and more advanced weapons and war machines, all the way up to nuclear bombs, jet fighters, and even missiles.

The game throws a ton of information at you in terms of raw numbers, which gets to one of the critiques of Pacific Storm: Allies. It’s got a fairly dense interface that requires you to drill down and do a lot of micromanaging. Enough so that this isn’t a game for the casual strategy fan; if you’re looking for something light and easy to get into, this isn’t it. Meanwhile, Pacific Storm: Allies still suffers from a number of bugs; the game crashed on me quite a bit, even on two different systems. So save early, save often is one key mantra, lest you want to see a lot of your progress wiped out by a crash.

It’s like Victory at Sea, but in color.

The visuals also haven’t really improved since the original game of two years ago. While there’s a nice amount of detail on planes and ships, the terrain visuals are almost nonexistent. Meanwhile, the color palette seems like it’s still stuck in the 16-bit color days, as the colors looks grainy and washed out. But it’s the strategic campaign that offends the most, since that mode should look a lot better than it does. It’s essentially a 3D representation of a board game, but it looks like a relic from 10 years ago; it’s just blurry and washed out. The audio is also infused with some of the cheesier synthesized scores in some time, a problem when you can play the game for hours at a time. In this situation, it’s far easier to simply lower the music volume and listen to your own favorite music instead.

Genre: Real-Time Strategy
Release Date:
US: January 22, 2008

This expansion pack requires the full version of Pacific Storm to play.

Insecticide takes gamers to a gritty film noir world filled with crime, murder, and mystery. It’s all pretty standard classic Hollywood storytelling, except that in Insecticide, you’re a six legged bug. As a matter of fact, there aren’t any “normal” humans in Insecticide which definitely lends itself to a sci-fi experience. Consider the game part “bee-movie,” if you will. The story starts off by throwing you into the underbelly of Troi, the game’s grungy and bug-infested city. You take control of female Detective Chrys Liszt, and team up with fellow arthropods to unravel a mysterious death at the local Nectarola soda factory. If it sounds nonsensical, it is. I’ve beaten the game more than once and still don’t know what’s going on. There’s a lot of in-game vernacular that will go over your head, but if you’re confused, it doesn’t hurt the game much. It’s obvious that Crackpot loves the mythology it has created; but even though the story is cute, something is lost in translation. You hardly ever care where the story goes, even though the game thinks you do. Insecticide is certainly a scene-to-scene, story-driven game.

The game has plenty of style and charm.

Unlike games like Sam & Max and Grim Fandango, the game isn’t a pure adventurer in the traditional sense. As a matter of fact, Insecticide feels like half adventurer, half shooter/platformer. While the adventure portion of the game features the traditional click-on-stuff game play that fans all know and love, the action parts feature a third-person shooter control scheme, ala Ratchet and Clank. You use the WASD keys to move, spacebar to jump, and the mouse to shoot your various guns. The game’s levels are clearly segmented into either action or adventure. While the action portions aren’t bad, the shooting mechanics feel pretty shallow and pale in comparison to the puzzle portions.

Luckily, the adventure aspects of the game shine bright as fireflies. Besides the aforementioned action parts of the game, Insecticide is very cohesive in nearly every aspect of its presentation. The backbone of its success relies on the world and characters that Crackpot has created. This is all joined with a quality script. While the story does feel a bit convoluted and confusing, much love and care went into crafting the humorous dialogue contained in the game. Insecticide is by far the “punniest” game I’ve ever played. There will be moments where it’s nearly impossible not to crack(pot) a smile. That last pun was not one of those moments.

Thankfully Insecticide has a well rounded cast of voices. The lines are always spoken with conviction, which is pretty amazing considering the game has a lot of nonsensical dialogue. In addition, the casting for the game was well done because every voice seems to fit the characters they represent. The sound overall is good. While the sound effects don’t stand out, the detective Jazz music fits the vibe well and adds to the game’s overall character. While we’re on the subject of characters, even though you may not fall in love with any of Insecticide’s cast members, some of them are pretty charming. It also helps that they are well designed.

Unforunately, the gameplay isn’t consistent.

All of Insecticide’s characters come to life in 3D via the game’s solid graphics engine. Even though the graphics won’t blow you away, the noir detective art direction is consistent throughout and feels eerily similar to the Majesco published Psychonauts. The only real gripes I had with the graphics are that the computer generated cut-scenes are compressed and there are also problems with the lip syncing (aka there is none). While Insecticide does have a lot going for it, the game does have its fair share of issues.

With the nature of episodic games comes episodic length. The game is really short. It will take you about three hours (more or less) to beat the first episode. It doesn’t help matters that the game is real easy. Since the guns you carry aren’t that effective, I found it easier to run up to enemies and melee attack them for the quick kill. You can also run away from your bug-eyed foes, as enemies will not pursue you if you go beyond certain predetermined segments of the levels. Conversely, your foes are not the only ones to be confined to segments of the game. The game has a couple invisible walls. While they are certainly not detrimental to the game, it really ruins the illusion. Even though your enemies may not kill you very often, the platforming might. The game has a decent number of clumsy miss-the-jump-and-you-DIE segments. Luckily it never becomes “too” frustrating, and there are tons of checkpoints.

Closing Comments
You can tell a lot of heart was put into the making of Insecticide. The graphics, sound, music, and overall presentation are well done. Crackpot Entertainment is composed of former LucasArts adventure team members and it shows. You can tell these people love the adventure genre enough to want to update it with action elements for the new generation. Unfortunately, the action segments of the game, while not terrible, aren’t seamlessly integrated into the game which makes Insecticide feel like a mixed bag. The transitions between the action parts and adventure parts, or lack thereof, feel jerky and needs a more subtle implementation. However, if you love Pixar-type movies, action/adventure games, then Insecticide is definitely worth a look.

Genre: Action Adventure
Release Date:
US: June 27, 2008

Also Available On: Nintendo DS

The question has been raised several times, “What exactly is Black & White?” And rightfully so. Before we got our hands on the game, even we weren’t sure exactly how the game would play. We knew you played the role of a rookie god complete with cool powers and miracles, we knew you had a pet avatar creature that you could teach through your actions, and we knew that there would a strategy element to the game with you trying to gain influence over the villages controlled by rival gods. But what we didn’t know was how all of these parts fit together.

Now we know, and after playing Black & White for almost a solid week, I can say it’s a truly miraculous “game.” I call it a “game” because it’s more of an experience — a living world that you have influence over yet still don’t have total control over.

Not surprisingly, the strategy portion of Black & White is a lot like Populous, only in an entirely 3D world. Like Populous, you play as a god who’s trying to convert as many followers as possible. There are eight different tribes in Black & White: Aztec, Celtic, Egyptian, Greek, Indian, Japanese, Norse, and Tibetan. Influencing the tribes to join your side will afford you different miracles specific to that tribe. For example, the Celts specialize in natural and healing powers, while the Aztecs offer more offensive, warlike miracles. While you don’t have total control over your villagers, you can suggest roles to them, such as foresters, farmers, breeders, builders, and pure worshippers. The more villagers who believe in you, the more miracle-casting power you have, but of course the less people you have gathering resources, constructing buildings, and making sweet, sweet love.

The many islands in the game are populated with several tribes, some who owe allegiance to no one, while others may worship another higher being. So how do you get these little buggers to look to you as their supreme being? By performing miracles and acts only a god could, of course. Produce food for them when they’re hungry or heal a sick elderly villager and you’ll convert a few to your side through acts of godly kindness. But showing off your more violent powers will work as well. Burn their villages with sizzling fireballs or reign down an electrifying lighting storm on their town center and they will worship you out of sheer terror.

That’s where one of the important facets of Black & White really comes into play. Like the name implies, you can be either a kind and gentle god or a livid, vengeful god — with shades of gray in between. The concepts of good and evil are handled very elegantly in the game. Just because you have to toss a fireball into the village store every now and again doesn’t mean the villagers don’t notice all of the bountiful forests you’ve provided them with and your charitable healing work at the old villagers’ home. No, no — it’s an overall combination of your actions that you’ll be remembered for. Rain fire down on your followers and your area of influence will slowly turn into a dark, foreboding land. Be kind and your realm will sparkle with wholesome purity. But remember, you’re not in this alone. Not only will your actions affect your land and villagers, but they’ll also affect your creature as well.

Amidst all of this RTS gameplay, you’ll have a pet to look after as well. Your pet is the physical embodiment of godly power, and (s)he can perform almost any task you can, like casting miracles and impressing villagers. The creature AI in the game is simply brilliant. AI is Molyneux’s forte, and he always surrounds himself with master AI programmers, so this didn’t come as much of a surprise. Watching your creature learn — and I do mean actually “learn” — is an amazing thing to witness. By rewarding your creature with a gentle rub, you can encourage your pet to continue doing that action, while slapping him around shows him your disapproval. The learning process even goes to the extreme of teaching your creature where to use the bathroom. Your villagers won’t be too happy if your 200-foot behemoth of a monkey poops right in the middle of the town square, but by leashing him to a rock and setting him next to a field when he’s young and rewarding him when he poops in the meadow and you’ve got yourself a gigantic source of free fertilizer.

Your creature is also the vehicle that you’ll use to fight other rival creatures. While the fighting system isn’t nearly as complex as a console fighter, you can attack, block, and you can even throw a few special moves into the mix when you’re going up against a rival avatar.

As if all this weren’t enough, there are plenty of story-based quests in the game to complete as well. While you don’t have to do these quests, you’re often rewarded with a new miracle power or the like, so it behooves you to at least try a few quests if you’re not too busy managing villages and teaching your creature how to breakdance.

All of this wouldn’t work without a finely crafted control system, and Black & White certainly shines with its complex yet graceful interface. Although you can assign hotkeys for most of the actions, the entire game can be controlled with the mouse as well, with the left mouse button controlling movement and the right mouse button in charge of your actions, such as smacking around your pet or interacting with objects on the landscape. You can even cast any of the miracles in the game by using the oft-touted “gesture” system. For example, you draw a counterclockwise spiral on the landscape and then a “W” to create a water miracle. The gesture system is a great concept and, for the most part, it worked extremely well. For some reason though I was never able to successfully cast the healing miracle, which is a heart-shaped gesture, while I was in the field. I would invariably get a completely different miracle every time I tried to cast heal, so I was relegated to zooming back to my temple (which I always set a waypoint at) any time I wanted to cast heal.

I also wasn’t a big fan of using the mouse for controlling the camera, but that was easily mapped to a standard first person shooter setup. I mapped the movement controls to the AWSD buttons, set Q and E for camera rotation, and R and F to change pitch. This made controlling my god hand quick and easy, and made moving around in the game world much more straightforward for me. While learning the game will take some time, and it will take some time, the included tutorial does a good job of teaching you the basics while you’re actually playing the game, so it’s not like you have to sit through a boring, drawn-out interface lesson before you actually jump into Black & White.

As you all know by the screenshots and movies by now, Black & White is a visual masterpiece. The technology behind the game is the best of the best, and this game will really show off that new, high-powered graphics cards you just spent $400 on. Zooming from high over the island right into the face of a villager twenty miles below is a breathtaking journey, and although the villager models aren’t as detailed as models from other games, there can literally be thousands of villagers running around on the same island. There are some texture pops as you fly around the terrain, but this is easily forgivable for a game with this level of detail. The creature models all look incredibly sharp and are easily recognizable for the animals they represent, although the cow does look rather awkward standing on it’s hind legs…just as you would expect from a bipedal bovine. The charm and personality of each creature is displayed through incredibly realistic facial and body animations that give you the impression that your pet is actually alive. I felt genuine guilt every time I would spank my monkey…it must be the Catholic in me. All of this graphical acuity is complemented by stunning lighting and particle effects, and the little touches like fluttering butterflies and a full weather system all add to the sense that you’re in a genuine, living world. Hell, the game will even log onto the Internet to check your local weather so you can play with your current conditions if you so wish. Now that’s detail!

The sound design in Black & White is as finely crafted as the rest of the game. The music hangs in the background, where it should be, and never get repetitive, annoying, or overbearing. These are the tunes I would listen to if I were a god. The environmental sounds are apparent only when you get close to an animal, villager, or object. For example, zoom close to a stream and you’ll hear it babbling, or scroll over a village and your followers will tell you what they need to be happy. Produce a storm and you’ll hear the loud crash of thunder. Throw a fireball into the middle of a town and villagers will scream and cry in terror while engulfed in flames. The natural creature sounds are just as impressive and realistic sounding. Tigers growl, bears roar, and you’ll hear a bevy of “eeps” and “oops” from monkeys. Sound cues will also give you an indication of how to complete some of the quests in the game. In one quest I had to find a shepherd’s lost flock. I knew one of the sheep was on a nearby mountain, I just couldn’t spot it by eye, so I scanned over the mountain at a tight zoom. Sure enough, I heard a bleat to the right. All I had to do was strafe over and there was my wooly little friend.

So there you have it…the single player game is un-freaking-believable. Unfortunately, the multiplayer side isn’t nearly as in-depth as the single-player game, and it really feels tacked on to an otherwise brilliant single-player package. There’s a pitiful assortment of three multiplayer maps in the game, and you can play those out in a good day of extended gaming. Also, because you can bring your single-player creature into the multiplayer fray, and since some creatures have matured further than others, it’s often hard to find a balanced opponent of equal strength to play against. While it’s kind of neat bringing your creature online to fight against others, cooperating as a cohesive clan, or wresting a rival village from a living God on the other side of the modem line, this is definitely not the focus of Black & White, and you’ll find more enjoyment from the solo game than you will in multiplay.

With that said, the epic single player side of Black & White is wildly imaginative, elegant, charming, and a lot more action-packed than I thought it would be. Words like “ground-breaking” and “revolutionary” are sure to be attached to this title, and I can already state with confidence that Black & White is assured “classic” status in the annals of PC gaming. While micromanaging the shear number of things to do may be overwhelming for some players, Black & White is like stepping into a breathing, living world, and although it took a lot of patience for the release, the final creation was certainly worth the wait.

Genre: Strategy
Number of Players: 1-8
Release Date:
US: March 27, 2001
Japan: Unreleased
Europe: Released
Australia: Released

Also Available On: Macintosh